NEXT LEVEL
Ayumi Hamasaki’s 11th album
25th March 2009
It blows my mind how quickly Ayumi Hamasaki seems to come out with new music, especially considering the number of tracks she puts onto each album, the number of remixes on each of her singles, and her slew of remix albums (holy crap, this woman loves remixes). I first became a fan around when her Memorial Address mini-album was releasing and it seems not so long ago that My Story came out in 2004. Since then, I can’t say I’ve been very good about keeping up with her releases, partially because my interest shifted to j-rock and indie for a while, but her contribution to Dragonball Evolution piqued my interest again, even if I didn’t think Ayu had any chance of saving a destined-to-be-terrible movie. “Rule” was a pretty fun single, and I thought it suited the energy of the subject matter pretty well (or, well, it suited the source material). It wasn’t super impressive, but I think it was only a matter of time before I went and checked out this album. The name NEXT LEVEL is also pretty Dragonball-ish, don’t you think?
TRACK 01: Bridge to the sky
Calming intro for all of a moment, then an uprising steady beat that grows into an ensemble of various sounds backed by a nice techno beat. Lots of sustained vocals and a gradual crescendo seem to be leading into something big. The techno gets more pronounced and then– silence. Clearly, this is an intro track for the rest of the album. Honestly, I’ve never been a huge fan of intro tracks because they’re awkward when you don’t play them with the rest of the album in album order (like when you put things on shuffle), but when you are listening to the album straight through, they’re pretty nice.
TRACK 02: NEXT LEVEL (Youtube it)
Starts off with a confident piano soon to be accompanied by keyboards and the stray guitar. Vocals start rather unimpressively and I’m kind of more interested in the background music than the lyrics or melody. Gets better as she leads into the chorus, which has some nice energy. I’m a sucker for when lyrics roll together smoothly, like there are no real breaks in between the words. Some nice keyboard and guitar in the break before the second verse. The beginning of the second verse is again less interesting, but it recovers faster this time. The melody for the chorus is definitely the best part of the song thus far, though I don’t think this is a good example of Ayumi’s vocal prowess; her voice sounds rather plain in this, honestly. Bridge and final round of choruses don’t change much — outro is the same piano, keyboard, and stray guitar, and it slowly leads to the end.
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You’ve noticed it. Those series’ titles, those band names, and those Japanese celebrities with very particular spellings.
CANAAN is CANAAN, all caps, and not Canaan. LUCKY☆STAR has that star in the middle if you can manage to remember the keyboard code for it. Love★Com has a different star, though many will make do with Love*Com. s-CRY-ed is not Scryed. NieA_7 is not anything but. Baccano! has an exclamation mark. L’Arc~en~Ciel is L’Arc~en~Ciel and not L’arc-en-ciel or Larc en ciel. They are tildes, not hyphens, and make sure you capitalize that ‘a’. Dir en grey fans spot the new and the ignorant by chastising those that write Dir en Grey or, heaven forbid, Dir En Grey. Yoshitoshi ABe always has that ‘b’ capitalized; he is never Yoshitoshi Abe. Someone once told me that hyde, the vocalist for L’Arc~en~Ciel, is spelt in unassuming lowercase when associated with that particular band, but spelt as HYDE when associated with his solo work. This doesn’t always seem to be the case, but that’s one hell of a confusing thing to remember, huh?
You're doing it wrong!
Being a grammar nazi and supremely anal retentive in general, of course I always do my best to ensure I’m spelling things the way they were intended to be spelt, but sometimes, it’s just a pain in the ass, and sometimes, it’s just impossible to tell.
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I kind of saw this coming considering what I thought of Higurashi, but it’s still a bit disappointing, I guess.
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I finally finished my review for The Sky Crawlers (MAL mirror is here).
I think definitely think it’s one of those movies that I’ll need to watch again to fully appreciate, but as usual, I like to convince myself that I don’t have the time. I will check out that book of concept art from the movie again if I get the chance though — a lot of the environments ended up not being as complicated as I remembered, though the concept art also included a lot of diagrams and floorplans for the outpost and things that might not necessarily have been animated. Funny thing about the animation though, for it being so important that the characters are perceived as young, I never really realized just how young we were really supposed to think they were. From appearances alone, I would place Kannami and Kusanagi anywhere between fifteen and mid-twenties, a good decade of leeway. Behavior-wise, they seemed closer to mid-twenties, I would think, but everyone insisted on their persistent childhood. How young is too young to fight an endless war? Is there really an age where such things are appropriate? When does anyone really stop being a child? I’m not sure whether the age ambiguity in the designs was intentional or whether stylized anime in general has just ruined my age perception permanently. Everyone always looks youthful.
Wow. This is a topic I’ve intended to write about for a while, but I never imagined that it might cause such rampant drama across the community. Of course it had to start while I was out of town. I’ve only skimmed through a majority of the posts made thus far about fanart and artist attribution, but the number of comments and trackbacks to WAH’s original post, as well as his two follow-up posts lead me to think that just about every possible opinion has already been shared. For the most part, I agree with WAH, and I’m glad to see that a lot of people seem receptive to the idea of attribution. Still, there might be a few other things that are worth bringing up.
Art by Kiriska; I drew this. Yeah, yeah, yeah~.
I don’t really use fanart here. Almost everything I use is official art and the occasional screenshot, and hell, most of my earliest posts had no images at all. Official art and screenshots, regardless of artist, generally belong to the series’ company, which is easy to look up, so I don’t particularly feel the need for accreditation there. The fact that official art is usually purposed for mass distribution is also a good argument. Fanart, on the other hand, is always tricky business, even outside of the aniblogosphere (or perhaps, especially outside of the aniblogosphere?). Legality aside, it’s a question of common courtesy and manners. Regardless of your thoughts concerning your own work, be it your own fanart, writing, quotes, coding, or whatever, there’s no point in pushing your ideologies onto others. Just because you don’t care about being credited for your creations doesn’t mean other people can’t be touchy about their stuff. It’s their right to be touchy if they want to be.
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Seirios
RURUTIA’s 6th album
27th February 2009
RURUTIA is one of only a handful of artists that I wasn’t introduced to by the “usual means,” which are 1) exposure via anime or related media and 2) direct recommendation from friends. Until recently, I was so negligent of radio and other such random discovery tools that I only learned of new English-speaking artists via AMVs, which is kind of sad? Now that I’ve found a nice plugin to read in Pandora’s outputs into my last.fm (thus, satisfying my OCD), I’ve been giving that a spin, but that really has nothing to do with RURUTIA, whom I discovered on my own a few years ago. Though her style and genre is quite a ways apart from my usual rock, pop, and alternative, the mysterious quality of her music has always drawn me in.
The echoey ambience of RURUTIA’s voice is haunting and airy, perhaps other worldly; the emotion always feels very sincere, very innocent, very hopeful. Her melodies also have a lot of classical influence, which is always a huge plus for me. Unfortunately, I’ve only heard her first couple of albums, so I’m not sure how her style might have evolved over the years. The most recent album of hers I’ve heard is Meme from 2005, and I haven’t really been keeping up with her singles either. This should be interesting then, huh?
TRACK 01: Seirios (YouTube it)
Quiet, but dramatic, piano opening with electronic distortion in the tempo. Vocals are slow and eerie… every syllable is enunciated very clearly. Chorus picks up the pace and the sound is a lot more forceful, stronger, and very desperate sounding. Her pronunciation of “Seirios” is recognizable, which is kind of surprising since she doesn’t often sing in English (if at all?). Second verse echos the first, slow and haunting. It builds very steadily and the second chorus erupts really nicely from it. Ooh, really beautiful high notes here. The emotion is really touching; the melody is really awesome. This would be great music to accompany some kind of final struggle. There is no bridge or final chorus, but the outro is a quiet (but still dramatic) piano interlude with the distortion to keep you on your toes until it fades out to silence.
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The fansub and scanlation debate is an old debate and not really something I feel like getting into. This post isn’t really about that, though it’s certainly related. What I want to address is more general: in this economy especially, how much of the entertainment people buy have they already sampled? How much of it do they decide to pick up spontaneously, as they’re browsing through the store aisles?
Read it before you buy it? Or buy it before you read it?
For anime, how many of your DVDs contain series you haven’t seen at all until you bought them? The number of series being broadcast on television has been dwindling for a while, but more and more companies are streaming their goods online, in whole or part, so there are still plenty of legitimate ways of seeing a series at least partially before buying it (and in addition to DVDs, there are now also budding download-to-own schemes for various platforms). Does anyone walk into the store without an idea of what they want to get? Does anyone just decide to buy a title coincidentally sitting next to the one they intended to get, thinking that it kinda looks interesting?
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It’s really no surprise, I guess. I think this is one of those shows that everyone checks out for an episode or two then promptly dumps because the laughs don’t last that long. I hadn’t been interested in picking it up at all (then again, half the series I’ve picked up this season I hadn’t planned on) but my brother got it and a few bloggers were yammering about it (yuri threesome ending, what), so I figured why not, I’ll check out an episode for the lulz.
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You know, it’s funny. I went into this with the full intention of not taking the film adaptation too seriously so maybe I could enjoy myself for once. A lot of people who haven’t read the books tell me that the movies are fine, that they aren’t confused or lost, and that they completely understand what’s happening. I can appreciate that. I don’t really want to be a hater. In fact, I spent most of the previews making sure my brother was sufficiently calmed since he didn’t like the sixth book much at all and therefore probably wasn’t going to enjoy a movie made of it. Within the first ten minutes, our positions were swapped and it was him trying to convince me that it really wasn’t that bad. I try to shelf my purist fanrage. I really do! It’s just very, very hard for me (apparently).
(this review briefly mentions minor spoilers for HP1-5;
spoilers for HP6: Half-Blood Prince are contained under spoiler tags)
Harry Potter and the Half-Blood Prince
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As is my routine now, I reread Harry Potter and the Half-Blood Prince last night in preparation for the movie, which debuted at midnight, but which I’ll not be seeing until this weekend. It was either my third or fourth time reading it. I know I reread it two summers ago just before the final book’s release, but I can’t remember if I’d reread it another time between that and when the book itself released (HBP is the sixth book). I think Half-Blood Prince is probably my least favorite of the series. I’ve always felt that my opinion of Harry Potter started to sour a little after the fourth book, after which I felt that J.K. Rowling lost a lot of focus and inserted many unnecessary and pointlessly distracting things when she should have been focusing on more pressing matters – so I guess the sixth book would be an accumulation of those disappointments. I don’t think my impressions changed much during subsequent rereading(s) of HBP.
So I guess I’m kind of surprised that this time, I think I liked it much, much better.
(This post contains no spoilers for any Harry Potter book or movie.)
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